Tonyisn't

Art. Architecture. GIFs. Whatever inspires me.

myampgoesto11:

Kelly Richardson: Orion Tide

2013-2014 | Dual/Single channel HD video installation, 32′ x 9′/16′ x 9′ (variable) with audio

Drawing from the aesthetics of sci-fi films and dystopian stories, Orion Tide presents a Roswell-esque desert with spurts of light and smoke repeatedly taking off into the dark night sky. As a part of CONTACT festival 2013, Orion Tide rests somewhere in the territory between science fiction and biblical wraths. By uniting the cataclysmic commonalities that both worlds share, Richardson created an apocalyptically sublime space in which all ideals dissolve and a universal transition is made for whatever may come next. Be it rapture or evacuation, the solution of departure is immensely satisfying to witness. Self-destructive yet soothing, Richardson convinces her audiences that however bleak, a conclusive end possesses great beauty.

In keeping with Richardson’s practice, Orion Tide questions the fine line between truth and fiction by challenging our ability to assess the integrity of images. Hinging on the fringes of reality and fantasy, the schematics of Orion Tide seem entirely plausible for today’s world. The work’s lack of specificity and ability to conjure the familiar poses an array of questions. Simultaneously convincing yet synthetic, the balanced ambiguity of the scene could be a peaceful ascent towards the heavens, a forced migration, or an exploratory venture towards the unknown. Ultimately, Richardson does not grant us any definitive answers, forcing her audiences to consider the “evocative power of the imagination” and the blurring line between what is possible and impossible. Through a carefully calculated application of digital effects and documentary footage, Richardson questions the credibility of what we see and our increasingly mediated doors of perception.

Shellie Zhang, Art Toronto review

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(via myampgoesto11)

contemporaryartchina:

wintercolt :  Li Wei 李(日韦)

contemporaryartchina:

wintercolt :  Li Wei 李(日韦)

daintygrrrl:

Betye Saar

daintygrrrl:

Betye Saar

(Source: rrroseselavy, via artpropelled)

…keep on doing it
until you die or it dies in you.

there is no other way.

and there never was.

—   Charles Bukowski, from So You Want To Be A Writer (via violentwavesofemotion)

(via hauntedeuth)

“I loved you like a man loves a woman he never touches, only writes to, keeps little photographs of.”

—   Charles BukowskiLove is a Dog from Hell (via feellng)

(Source: feellng, via hauntedeuth)

yama-bato:

"Concrete Art holds an infinite number of possibilities" (Max Bill)
"A Metagonal Spiral".
http://hebert.kitp.ucsb.edu/hv/mbill.html
http://hebert.kitp.ucsb.edu/hv/unpub.html

yama-bato:

"Concrete Art holds an infinite number of possibilities"
(Max Bill)

"A Metagonal Spiral".

http://hebert.kitp.ucsb.edu/hv/mbill.html

http://hebert.kitp.ucsb.edu/hv/unpub.html

(via wowgreat)

yama-bato:

Dubuffet, Jean: L’arbre d’ombre
via

yama-bato:

Dubuffet, Jean: L’arbre d’ombre

via

(via wowgreat)

lesfemmesartistes:

Ursula von Rydingsvard, Three Bowls, 1989.

lesfemmesartistes:

Ursula von Rydingsvard, Three Bowls, 1989.

(via artpropelled)